Add to ORKGAn English Translation of Traite de Rythme, de Couleur, et d'Ornithologie, volume I, by Olivier Messiaen is a translation of the first volume of Messiaen's important treatise on rhythm, color and ornithology (original French publication by Leduc). Where possible, all musical examples have been reproduced in their entirety. This volume addresses several of Messiaen's ideas on musical as well as non-musical rhythm. Messiaen discusses Time, Rhythm, Greek Metrics, Hindu Rhythms, and analyzes the 39 choruses of Le Printemps by Claude Le Jeune
This dissertation is an investigation of the printed writings and sayings of Olivier Messiaen and th...
Olivier Messiaen heard and notated the songs of the two species of lyrebirds, the Alberts and the Su...
Olivier Messiaen (1908–1992) was one of the leading composers of the twentieth century. He was renow...
Olivier Messiaen is little known as a pianist, although piano was his favorite instrument. His works...
This paper is a study of Olivier Messiaen’s “Appel Interstellaire.” Though its original context is a...
Autexier Philippe A. Olivier Messiaen : Traité de rythme, de couleur et d'ornithologie (1949-1992). ...
One of the most important ways to understand Olivier Messiaen’s musical language is through the lens...
Cinq rechants, composed in December of 1948, represents the culmination of Olivier Messiaen's rhythm...
Olivier Messiaen infused compositions with a love of nature and the Catholic faith. Messiaen (1908-1...
The purpose of this study is to present a performance guide on eight selected songs for voice and pi...
La musicographie a souvent dépeint le Messiaen catholique. On a beaucoup évoqué l'ornithologue passi...
Between April 1945 and September 1946, Olivier Messiaen was at the center of a controversy among mus...
In the preface to the score of Vingt Regards, Olivier Messiaen states that in the composition he was...
Olivier Messiaen and Naji Hakim are both representative composers of the twentieth century. For the ...
Olivier Messiaen heard and notated the songs of the two species of lyrebirds, the Albert's and the S...
This dissertation is an investigation of the printed writings and sayings of Olivier Messiaen and th...
Olivier Messiaen heard and notated the songs of the two species of lyrebirds, the Alberts and the Su...
Olivier Messiaen (1908–1992) was one of the leading composers of the twentieth century. He was renow...
Olivier Messiaen is little known as a pianist, although piano was his favorite instrument. His works...
This paper is a study of Olivier Messiaen’s “Appel Interstellaire.” Though its original context is a...
Autexier Philippe A. Olivier Messiaen : Traité de rythme, de couleur et d'ornithologie (1949-1992). ...
One of the most important ways to understand Olivier Messiaen’s musical language is through the lens...
Cinq rechants, composed in December of 1948, represents the culmination of Olivier Messiaen's rhythm...
Olivier Messiaen infused compositions with a love of nature and the Catholic faith. Messiaen (1908-1...
The purpose of this study is to present a performance guide on eight selected songs for voice and pi...
La musicographie a souvent dépeint le Messiaen catholique. On a beaucoup évoqué l'ornithologue passi...
Between April 1945 and September 1946, Olivier Messiaen was at the center of a controversy among mus...
In the preface to the score of Vingt Regards, Olivier Messiaen states that in the composition he was...
Olivier Messiaen and Naji Hakim are both representative composers of the twentieth century. For the ...
Olivier Messiaen heard and notated the songs of the two species of lyrebirds, the Albert's and the S...
This dissertation is an investigation of the printed writings and sayings of Olivier Messiaen and th...
Olivier Messiaen heard and notated the songs of the two species of lyrebirds, the Alberts and the Su...
Olivier Messiaen (1908–1992) was one of the leading composers of the twentieth century. He was renow...